Start by masking off the background and freehand airbrushing the first shark in the exposed area. This image painted with greatly over reduced Wicked Detail colors and the Iwata HP-CH, a wonderful combination.
The second shark is applied the same way as the first, keeping mindful of the lighting changes due the varied elevations of each shark.
A view of the sharks in their respective locations after unmasking.
Starting on the second panel, I begin by adding the Nautilus, using a similar method as the sharks in the previous panel.
Some day to day activity